Publications

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2021

Contemporary HUM

“Charting the Constellations of the Oceans, Rivers, and Islands”

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2020

O LE ŪA NA FUA MAI MANU‘A

Embodied Practices and Acts of Exchange

University Of New South Wales Gallery Press.

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2019

Estudios Indiana 13

“Disrupting Toronto’s Urban Space through the Creative (In)terventions of Robert Houle.”

Edited.by Sanja Savkić and Hannah Baader. Berlin: Ibero-Amerikanisches Institut.

2016

PUBLIC Art, Culture, Ideas 54

“Deciphering the Digital and Binary Codes of Sovereignty/Self-

Determination and Recognition/ Emancipation.”


Indigenous Art: New Media and the Digital.

2015

Land/Slide: Possible Futures (exhibition catalogue)

“The Occupation of Space: Creatively Transforming Indigenous Living Histories in Urban Spaces.”

Edited by Janine Marchessault, Chloe Brushwood Rose, Jennifer Foster, and Aleksandra Kaminska. Toronto: PUBLIC Books.

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2015

Land/Slide: Possible Futures (exhibition catalogue)

“Singing Our Bones Home.”

Edited by Janine Marchessault, Chloe Brushwood Rose, Jennifer Foster, and Aleksandra Kaminska. Toronto: PUBLIC Books.

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2014

The Lake

“A Home for Our Migrations: The Canoe as Indigenous Methodology.”

Edited by Maggie Groat. Toronto: Art Metropole.

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2014

Canadian Theatre Review

“Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L’Hirondelle and Kent Monkman.”

Co-author with Kerry Swanson. Vol. 159: 30–37.

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2013

Diverse Spaces: Examining Identity, Heritage and Community within Canadian Public Culture

“Charting Stories of Place: An Alternative Cartography Through the

Visual Narrative of Jeff Thomas.”


Edited by Susan Ashley. New York: Cambridge Scholars Press.

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2011

American Indian Culture and Research Journal

“(Re)Mapping the Colonized Body: The Creative Interventions of

Rebecca Belmore in the Cityscape.”


Vol. 35, no. 4: 147–166.

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2008

Atlantis: A Women Studies Journal

“Transforming & Grappling with Concepts of Activism and Feminism

with Indigenous Women Artists.”


Halifax: Mount Saint Vincent University.

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2007

Women and Environments International Journal

“Transformations: Dialogical Community Art – Indigenous Women’s Cultural Politics in Manitoba.”


Crossing Borders: Women, Art and Community Activism (Toronto).

 

Editorial Projects

Holding Ground:
Disrupting the Public with Nuit Blanche

Upcoming, 2021

Becoming Our Future:
Global Indigenous Curatorial Practice

2020

Public 54:
Indigenous Art: New Media and the Digital

2016

Locating the Little Heartbeats

2019

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the future is in the land

2018

INSURGENCE/RESURGENCE

2017

Indian Country: Art, Politics & Resistance

2007

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Peer Reviewed Publications

Nagam, Julie. r e a and Jennifer Biddle. “Decolonial Tools: Indigenous New Media” in The Encyclopedia of New Media Art Vol 3, edited by Anna Munster and Vince Dzekian. London: Bloomsbury Press, 2022 (forthcoming)

Nagam, Julie. “The Space Between Us” in Holding Ground: Nuit Blanche and Other Ruptures, edited by Julie Nagam and Janine Marchessault. PUBLIC Press: Toronto, 2021.

Nagam, Julie; Heather Igloliorte and Carla Taunton. “Incubator as Methodology: Public Art Exhibition” in Holding Ground: Nuit Blanche and Other Ruptures, edited by Julie Nagam and Janine Marchessault. PUBLIC Press: Toronto, 2021.

Nagam, Julie. “The Giving Tree: Methodologies of Generosity”. In Indigenous Art Histories: Theories and Methodologies for Canada and the United States. Edited by Heather Igloliorte and Carla Taunton. New York: Routledge press, 2021.

Nagam, Julie. “Disrupting Toronto’s Urban Space through the Creative (In)terventions of Robert Houle.” In Εικόνα Visual Studies Vol 1, Mexico City: SIMO Cultura, 2019. (Print and on-line)

Nagam, Julie and Carla Taunton. “Performing Memory: Embodied Interventions by Indigenous Women Artists.” In Insiders/Outsiders: The Cultural Politics and Ethics of Indigenous Representation and Participation in Canada’s Media Arts. Edited by Dana Claxton and Ezra Winton. Waterloo: Wilfrid Laurier University Press, 2020. (Submitted)

Nagam, Julie. “Traveling Soles: Tracing the Footprints of Our Stolen Sisters.” In Canadian Voices on Performance Studies/Theory. Edited by Laura Levin and Marlis Schweitzer. Montreal: McGill-Queens Press, 2017. (Print)

Nagam, Julie. “Deciphering the Digital and Binary Codes of Sovereignty/Self-Determination and Recognition/Emancipation.” PUBLIC Art, Culture, Ideas 54: Indigenous Art. Edited by Heather Igloliorte, Julie Nagam, Carla Taunton (Winter 2016). (Print)

Nagam, Julie, Heather Igloliorte, and Carla Taunton. “Transmissions: The Future Possibilities of Indigenous Digital and New Media Art.” PUBLIC Art, Culture, Ideas 54: Indigenous Art. Edited by Heather Igloliorte, Julie Nagam, Carla Taunton (Winter 2016). (Print)

Nagam, Julie. “Mapping Stories of Place: An Alternative Cartography Through the Visual Narrative of Jeff Thomas.” Diverse Spaces: Examining Identity, Heritage and Community within Canadian Public Culture. Edited by Susan Ashley. New York: Cambridge Scholars Press, 2013. (Print)

Nagam, Julie. “(Re)Mapping the Colonized Body: The Creative Interventions of Rebecca Belmore in the Cityscape.” American Indian Culture and Research Journal 35, no. 4 (2011): 147–166. (Print)

Nagam, Julie. “Transforming & Grappling with Concepts of Activism and Feminism with Indigenous Women Artists.” Atlantis: A Women Studies Journal (Halifax: Mount Saint Vincent University, 2008). (Print)

Nagam, Julie. “Transformations: Dialogical Community Art – Indigenous Women’s Cultural Politics in Manitoba.” Women and Environments International Journal Crossing Borders: Women, Art and Community Activism (Toronto, 2007). (Print)


Invited Publications

Nagam, Julie. “Marking Space: Indigenous Coded Knowledge.” In NGV Triennial 2020. Melbourne: National Gallery of Victoria, December 2020. Exhibition Catalogue.

Nagam, Julie. “This songbird sores swiftly through each branch with gifts of innovation and transformation”. Why The Caged Birds Sing -- Immersive Engagements. Prince Albert: Common Weal Community Arts and the Mann Art Gallery, 2020. Exhibition Catalogue.

Nagam, Julie and Heather Igloliorte. “"Biindigin Biwaasaeyaah and Qaumajuq: Conversations and Collaborations Towards a New Winnipeg Art Gallery." In The Inuit Art Centre. Winnipeg: Winnipeg Art Gallery, 2020.

Nagam, Julie. Embodied Practices and Acts of Exchange. O le ūa na fua mai Manu‘a Sydney: University of New South Wales Gallery Press, 2020.

Nagam, Julie. Jarita Greyeyes, Heather Igloliorte and Jaimie Isaac. “Indigenous collaborations through the gallery as a site for self-determination and social change” Becoming Our Future: Global Indigenous Curatorial Practice. Edited

Nagam, Julie, Carly Lane and Megan Tamati-Quennell. Winnipeg: ARP Press, 2020.

Nagam, Julie. “Lost in the Light, Sound and Feminist Reminiscences.” Caroline Monnet Exhibition Catalogue. Banff: Banff Centre of the Arts, 2018.

Nagam, Julie and Jaimie Isaac. “Reverberations, Vibrations, Echoes that Invigorate the Stone Fortress.” INSURGENCE/RESURGENCE. Winnipeg: Winnipeg Art Gallery, 2017.

Nagam, Julie. “Manitoba’s Muddy Waters: Transforming Indigenous Women’s History”. SHARDS. Winnipeg: Manitoba Craft Council, 2017.

Nagam, Julie. “Museum Encounters of Another Kind: Indigenous Methodologies of Collaboration Lead the Charge.” Inuit Art Quarterly 30, no. 2 (Summer 2017).

 

Nagam, Julie. “Ripping Through a Personal Time-Warp on the Back of a Board.” Winnipeg: Winnipeg Art Gallery, 2016. (Online)

Nagam, Julie. “New Ground Indigenous artists map psychic geographies” Canadian Art: Futures, Winter (2017). (Print)

Nagam, Julie. “be polite…because the settlers might be listening and watching.” In Gordon Bennett: be polite. Edited by Aileen Burns and Johan Lundh. Berlin/Brisbane: Sternberg Press and Institute of Modern Art, 2016. (Print)

Nagam, Julie. “The Occupation of Space: Creatively Transforming Indigenous Living Histories in Urban Spaces.” In Land/Slide: Possible Futures (exhibition catalogue). Edited by Janine Marchessault, Chloe Brushwood Rose, Jennifer Foster, and Aleksandra Kaminska. Toronto: PUBLIC Books, 2015. (Print)

Nagam, Julie. “Singing Our Bones Home.” In Land/Slide: Possible Futures (exhibition catalogue). Edited by Janine Marchessault, Chloe Brushwood Rose, Jennifer Foster, and Aleksandra Kaminska. Toronto: PUBLIC Books, 2015. (Print)

Nagam, Julie, and Kerry Swanson. “Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L’Hirondelle and Kent Monkman.” Canadian Theatre Review 159 (2014): 30–37. (Print and Online)

Nagam, Julie. “A Home for Our Migrations: The Canoe as Indigenous Methodology.” In The Lake. Edited by Maggie Groat. Toronto: Art Metropole, March 2014. (Print)

Nagam, Julie. “in Pursuit of Venus.” Toronto: V-Tape, 2013.

Nagam, Julie, and Suzanna Morrissette. Concealed Geographies. Toronto: A-Space Gallery, 2012. (Print)

Nagam, Julie. “Digging up Indigenous History in Toronto’s Cityscape.” Canadian Dimension 43, no. 1 (Jan/Feb 2009): 54. (Print).